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ALESIS MULTIMIX 8 USB MANUAL PDF

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Thank you for making the Alesis MultiMix 8 USB a part of your studio. Since , we've studio equipment available to everyone, and this Reference Manual. IMultiMix 8 USB Music Mixer pdf manual download. Also for: Multimix8usb Music Mixer Alesis MULTIMIX 8 USB FX Quick Start Manual. 8 channel mixer/usb . View and Download Alesis MULTIMIX 8 USB FX quick start manual online. 8 Channel Mixer/USB Recording Interface. MULTIMIX 8 USB FX Music Mixer pdf.


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Alesis audio mixers and the second series that includes computer interfacing ( following on .. If you are using one of the MultiMix 8 USB's internal effects, this. To enable your MULTIMIX 8 USB FX to send and receive audio to and from your computer, follow the instructions below for your computer's operating system. Available in 8–channel and 16–channel configurations, these compact tabletop mixers feature USB connectivity, low–noise analog electronics,

This is more like a design error than a manufacturing one. There should be a hardwired connection there for the USB circuit to properly function but it is not there - a parasitic connection is made via the protective earth between the PC's power supply and the mixer but even a 1V difference there can cause the circuit to malfunction. I soldered a wire between the digital ground of the PCM and the USB connector and instantly all the problems went away. Previously the PC never was able to load the driver if it got that far and detected that something was plugged in now it was sailing thgrough. Initially I thought that the PCM was damaged but after I replaced it and the problem persisted I new something else was wrong. All internal regulator output voltages on the PCM were out of spec.

The former mode is obviously handy for initially setting up levels to minimise noise and distortion during recording, while the latter is more useful for mixing, as it gives you the same sound you're hearing via the mix bus. Well, not quite the same.

The last button on each channel assigns that channel's signal to one or the other. Monitoring is well catered for, with separate stereo Phones socket and balanced TRS Control Room outputs, both under the control of the larger pot above the Main Mix fader.

Pdf 8 usb alesis multimix manual

A switching matrix allows you to listen to any combination of the two mix buses and the signal arriving at the unbalanced RCA phono 2-Track In sockets — if you select the latter, you'll also hear any audio arriving from the computer via USB alongside the 2-Track input signal. The 2-Track inputs and computer output can also be routed directly to the Main Mix bus if required.

Right at the top of the master section you'll find the small area devoted to the effects processor.

In addition, a stereo feed from the computer can be returned to the mixer for monitoring or mixing purposes. Drivers must be installed before connecting up the mixer, but the installation process was the work of three minutes and the connection subsequently worked immediately for me, once I'd routed the inputs and outputs suitably in my version of Cubase SX2.

If you don't have computer recording software of your own, you'll be pleased to know that Cubase LE4 is bundled with the mixer.

However, input restrictions in this software may prevent you from taking advantage of the interface's maximum simultaneous recording track count. The USB driver's control panel offers buffer sizes as low as 48 samples, but even at samples on a steam-powered PC I found the latency perfectly acceptable for software monitoring.

However, if you're of the opinion that no latency is good latency, you'll be pleased to know that setting up zero-latency monitoring on the MultiMix 16 is dead easy: switch off software monitoring; activate the Mix and 2-Track buttons in the MultiMix's monitor section; record direct from the relevant mixer channel setting the channel fader for the best recording level ; and then use the Main Mix fader to adjust the relative level of the recording signal against the backing track.

Alesis Multimix 8 USB FX Mixer 8-Channel

The built-in effects are an added benefit in this situation, giving you immediate courtesy reverb for vocals, while leaving the recorded sound dry. One thing I found a bit annoying about the USB audio implementation, though, was that the individual channel recording signals are fed to the computer post-fader. This makes it impossible to optimise signal levels for both the individual channels and the main mix bus simultaneously — set the channels up for the best recording level and you risk driving the mix bus into distortion, while setting the channels up for a good mix means that you have to record your signals at a lower level, which will give you increased analogue noise levels even if the bit A-D conversion theoretically gives lots of headroom to play with.

Personally, I'd prefer the recording outputs to come directly after the preamp, removing even the EQ from the signal path to the recorder.

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That said, for simultaneous PA and recording for small live gigs, the background noise in the room will probably dwarf any extra circuit noise, so this problem might not bug you like it does me.

On Session The MultiMix 16's 4. Knobs and faders have a nice smooth action with a reassuring amount of resistance, which only adds to the positive initial impression.

If the MultiMix 16 offers more channels than you need, you could go for the smaller model. The preamps give a workable sound with reasonable noise performance. My only real concern is that the control resolution at higher-gain settings is quite narrow a common problem on budget mixers , which makes a lot of the gain appear to be bunched at the clockwise extreme.

Alesis MultiMix16 USB

The product should only be connected to a power supply which is described either in the operating instructions or in markings on the product. Power Cord Protection. AC power supply cords should be placed such that no one is likely to step on the cords and such that nothing will be placed on or against them. Periods of Non-use. If the product is not used for any significant period of time, the product's AC power supply cord should be unplugged from the AC outlet.

Foreign Objects and Liquids. Take care not to allow liquids to spill or objects to fall into any openings of the product.

8 manual pdf alesis usb multimix

Water or Moisture. The product should not be used near any water or in moisture. Do not place the product near heat sources such as stoves, heat registers, radiators or other heat producing equipment. When installing the product, make sure that the product has adequate ventilation.

8 alesis pdf multimix usb manual

Improperly ventilating the product may cause overheating, which may damage the product. The product should only be used with a rack which the manufacturer recommends. The combination of the product and rack should be moved carefully. Quick movements, excessive force or uneven surfaces may overturn the combination which may damage the product and rack combination. The product should only be cleaned as the manufacturer recommends. The user should only attempt the limited service or upkeep specifically described in the operating instructions for the user.

For any other service required, the product should be taken to an authorized service center as described in the operating instructions. Damage to the Product. The 2-Track inputs and computer output can also be routed directly to the Main Mix bus if required. Right at the top of the master section you'll find the small area devoted to the effects processor. In addition, a stereo feed from the computer can be returned to the mixer for monitoring or mixing purposes.

Drivers must be installed before connecting up the mixer, but the installation process was the work of three minutes and the connection subsequently worked immediately for me, once I'd routed the inputs and outputs suitably in my version of Cubase SX2.

If you don't have computer recording software of your own, you'll be pleased to know that Cubase LE4 is bundled with the mixer.

However, input restrictions in this software may prevent you from taking advantage of the interface's maximum simultaneous recording track count. The USB driver's control panel offers buffer sizes as low as 48 samples, but even at samples on a steam-powered PC I found the latency perfectly acceptable for software monitoring.

However, if you're of the opinion that no latency is good latency, you'll be pleased to know that setting up zero-latency monitoring on the MultiMix 16 is dead easy: switch off software monitoring; activate the Mix and 2-Track buttons in the MultiMix's monitor section; record direct from the relevant mixer channel setting the channel fader for the best recording level ; and then use the Main Mix fader to adjust the relative level of the recording signal against the backing track.

The built-in effects are an added benefit in this situation, giving you immediate courtesy reverb for vocals, while leaving the recorded sound dry.

One thing I found a bit annoying about the USB audio implementation, though, was that the individual channel recording signals are fed to the computer post-fader. This makes it impossible to optimise signal levels for both the individual channels and the main mix bus simultaneously — set the channels up for the best recording level and you risk driving the mix bus into distortion, while setting the channels up for a good mix means that you have to record your signals at a lower level, which will give you increased analogue noise levels even if the bit A-D conversion theoretically gives lots of headroom to play with.

Personally, I'd prefer the recording outputs to come directly after the preamp, removing even the EQ from the signal path to the recorder. That said, for simultaneous PA and recording for small live gigs, the background noise in the room will probably dwarf any extra circuit noise, so this problem might not bug you like it does me.

On Session The MultiMix 16's 4. Knobs and faders have a nice smooth action with a reassuring amount of resistance, which only adds to the positive initial impression.

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If the MultiMix 16 offers more channels than you need, you could go for the smaller model. The preamps give a workable sound with reasonable noise performance. My only real concern is that the control resolution at higher-gain settings is quite narrow a common problem on budget mixers , which makes a lot of the gain appear to be bunched at the clockwise extreme.

ALESIS MultiMix 16 USB (XU7) Service Manual

The bottom line, though, is that in my opinion these preamps are equal to the task of delivering release-quality home recordings if used primarily for careful close miking, as long as your mics aren't all scraped from the very bottom of the bargain barrel.

Furthermore, the transfer to the computer over USB seems pretty lossless, so the MultiMix has to be considered a serious contender for ensemble recording on a budget.

The EQ sounds better than a number of other designs I've tried on budget mixers, and I was able to massage a selection of different instrument and vocal tracks into a more usable form with ease. The same 'gain bunching' effect that I found in the preamps also appears to exist in the EQ circuitry, although I quite liked that here, because it gave me more control resolution for the fine settings where any budget EQ tends to sound its best.

As is to be expected at this UK price point, the mid-band became rather honky at extreme boost settings, but again not as much as I've come to expect in this area of the market.