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UTTARADHYAYANA SUTRA PDF

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Shri Uttaradhyayana Sutra. aQy;y;n; - дк s;;m;;c;;rI p;>st;ut; aQy;y;n; k;] n;;m; s;;m;;c ;;rI hEe. s;;m;;c;;rI k; aq;* - мs;my;k< a;c;;r vy;v;sq;;Д - s;;Q;u ke s;m;st; a;c;;r, p;;rsp. UPASAKDASHANGA SUTRA (English): This booklet provides a summary of the 7th Aphorisms) eBOOKS (Available only in,pdf version - No printed books). The Uttaradhyayana Sutra is one of the most important sacred books of the Shvetambar Jains, who venerate its antiquity and authority. From the style of its.


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Uttaradhyayana Sutra. by: Doshi musicmarkup.infope: application/pdf dc. musicmarkup.info: musicmarkup.info: Uttaradhyayana Sutra musicmarkup.info: Print - Paper. musicmarkup.infoages: musicmarkup.infope: application/pdf musicmarkup.info: Uttaradhyayana Sutra Granth Mala 19 musicmarkup.info: Print - Paper. Here we present this central text of Jainism, being a record of Mahaviras final testament and containing practical instructions for the would-be Jain monk.

Painted in opaque watercolour and ink on paper Dimensions Length: This canonical text set out the rules of behaviour for the monastic community. Jain monks have traditionally been supported by a much larger lay community, who gained spiritual merit by commissioning manuscripts, which were preserved in temple libraries. Jainism has two sects, Shvetambara and Digambara, and the illustrated manuscript to which this folio belongs was painted for Jains of the Shvetambara sect. Surviving Jain manuscripts show that a distinctive Western Indian painting style had developed by the 12th century.

After he moved his both these colours had resulted from an awareness of capital to Fatehpur Sikri he set up a school dedicated to Persian painting. Kalakacharya Katha , miniature painting under the tutelage of Persian master Uttaradhyayana Sutra 15th century , Sangrahani Sutra artists.

The Illustrated manuscripts mirror the cultural 18th century etc are also notable illustrated Jain legacy and spirit of the Mughal art.

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Several Illustrated manuscripts. Manuscripts like Dastan-I-Amir Hamza Hamzanama , the best known for the enormous illustrated manuscript Palm leaf manuscripts are usually seen in the form of commissioned by the Mughal Emperor Akbar in about bundles of 50 to neatly shaped leaves of even size These manuscripts are in very Akbarnama and , and Tuzuk- I-Jahangiri commonly found South India, Bihar, Bengal and other executed during the Mughal Period are mainly sea side areas.

The nature, illustrations of the both flora and submerging in ponds, boiling in water and rubbing fauna, celebration of some festival, picture of Mughal spices like turmeric on them.

Uttaradhyayana Sutra Granth Mala 19

The midrib is often court, battle, lifestyle and stories and memories of removed and the leaves are cut to make a bundle of patrons etc. This style soon spread to the surrounding Hindu courts In case of surface writing, the text was written with ink and the Hindu epics of the Ramayana, Mahabharata, on the leaf using a pen or brush. In incised writing the smaller fables and fairy tales began to find themselves in text was incised in the leaf using a sharp iron stylus.

At this format in all languages and scripts. In case of the beginning stage both the incised illustrations and text illustrated manuscripts, Jain manuscripts are also notable. In order to make them legible, carbon In India illustrated manuscripts are mostly found on black is mixed with a binder is rubbed into the incisions palm leaf mostly Jain and other Hindu manuscripts and and then wiped off with water, rice bran or hot sand.

Common binder is gum acacia or gingili oil. While most palm leaf manuscripts contain only text, many are The earliest Jain illustrated manuscripts usually are illuminated with exquisite images. After inking was inscribed and illustrated on prepared palm-leaves and completed, illustrations were either incised or surface bound with cords, passing through holes in the folios. The found. In some cases gold or silver gilding is also found major centers of production of Jain manuscript were in illustrations.

Sutra pdf uttaradhyayana

Ahmedabad and Patan in Gujarat. Other centers included Jaisalmer, Gwalior and Delhi. Care of illustrated manuscripts was a major concern in The text was written on the surfaces of the folios with the past and different efforts were made to protect them ink using a pen or brush. Images or illustrations were from various agents of deterioration. One of the most painted using earth and mineral pigments with plant gum important of these deteriorating agents was biological binders.

Sometimes portions of the illustrations were growth in Indian climate, which is still a major problem. Traditional Simple measures of strict cleanliness and the use of pigments were used in these illustrations like, lapis appropriate insecticides protect the objects from insect lazuli a costly blue mineral , indigo a plant dye attack.

Uttaradhyayana Sutra Herman Jacobi

In India, since ancient times some indigenous producing blue orpiment a yellow mineral vermilion methods are followed for proper preservation of these a red mineral carbon black usually produced from valuable manuscripts, which are also effectively been charcoal shell gold gold powder bound with gum used still now in some places in our country.

Arabic or egg.

A wide range of natural materials can be safely and Basic damages found in an illustrated manuscript easily applied for control and elimination of insects. At the poor resistance to wear and tear and the folios same time these methods do not need much tool, are easily damaged by constant handling. These also prevent adopted to protect the manuscripts from different wrapping of the folios. Here some basic preventive camphora wood. Periodic dusting is also Nicotiana tabacum leaves and ghoda bach very necessary.

Also, a combination of steps on their own. The III. Conclusion red is believed to be an auspicious and also as a repelling colour for insects. The yellow cloth The dangers to an illustrated manuscript collection can will be dyed with turmeric Curcuma longa be termed as factors of deterioration.

The biggest paste, which will also have an insect repellent danger to collections is the human factor, as humans can property. He had studied painting himself in his youth and an intense blue sourced from lapis lazuli. After he moved his both these colours had resulted from an awareness of capital to Fatehpur Sikri he set up a school dedicated to Persian painting. Kalakacharya Katha , miniature painting under the tutelage of Persian master Uttaradhyayana Sutra 15th century , Sangrahani Sutra artists.

The Illustrated manuscripts mirror the cultural 18th century etc are also notable illustrated Jain legacy and spirit of the Mughal art.

Several Illustrated manuscripts. Manuscripts like Dastan-I-Amir Hamza Hamzanama , the best known for the enormous illustrated manuscript Palm leaf manuscripts are usually seen in the form of commissioned by the Mughal Emperor Akbar in about bundles of 50 to neatly shaped leaves of even size These manuscripts are in very Akbarnama and , and Tuzuk- I-Jahangiri commonly found South India, Bihar, Bengal and other executed during the Mughal Period are mainly sea side areas.

The nature, illustrations of the both flora and submerging in ponds, boiling in water and rubbing fauna, celebration of some festival, picture of Mughal spices like turmeric on them. The midrib is often court, battle, lifestyle and stories and memories of removed and the leaves are cut to make a bundle of patrons etc.

This style soon spread to the surrounding Hindu courts In case of surface writing, the text was written with ink and the Hindu epics of the Ramayana, Mahabharata, on the leaf using a pen or brush.

Pdf uttaradhyayana sutra

In incised writing the smaller fables and fairy tales began to find themselves in text was incised in the leaf using a sharp iron stylus. At this format in all languages and scripts. In case of the beginning stage both the incised illustrations and text illustrated manuscripts, Jain manuscripts are also notable. In order to make them legible, carbon In India illustrated manuscripts are mostly found on black is mixed with a binder is rubbed into the incisions palm leaf mostly Jain and other Hindu manuscripts and and then wiped off with water, rice bran or hot sand.

Common binder is gum acacia or gingili oil. While most palm leaf manuscripts contain only text, many are The earliest Jain illustrated manuscripts usually are illuminated with exquisite images.

Mahavira preaching from the Uttaradhyayana Sutra - The British Library

After inking was inscribed and illustrated on prepared palm-leaves and completed, illustrations were either incised or surface bound with cords, passing through holes in the folios.

The found. In some cases gold or silver gilding is also found major centers of production of Jain manuscript were in illustrations. Ahmedabad and Patan in Gujarat. Other centers included Jaisalmer, Gwalior and Delhi. Care of illustrated manuscripts was a major concern in The text was written on the surfaces of the folios with the past and different efforts were made to protect them ink using a pen or brush.

Images or illustrations were from various agents of deterioration. One of the most painted using earth and mineral pigments with plant gum important of these deteriorating agents was biological binders. Sometimes portions of the illustrations were growth in Indian climate, which is still a major problem.

Traditional Simple measures of strict cleanliness and the use of pigments were used in these illustrations like, lapis appropriate insecticides protect the objects from insect lazuli a costly blue mineral , indigo a plant dye attack. In India, since ancient times some indigenous producing blue orpiment a yellow mineral vermilion methods are followed for proper preservation of these a red mineral carbon black usually produced from valuable manuscripts, which are also effectively been charcoal shell gold gold powder bound with gum used still now in some places in our country.

Arabic or egg. A wide range of natural materials can be safely and Basic damages found in an illustrated manuscript easily applied for control and elimination of insects. At the poor resistance to wear and tear and the folios same time these methods do not need much tool, are easily damaged by constant handling. These also prevent adopted to protect the manuscripts from different wrapping of the folios. Here some basic preventive camphora wood. Periodic dusting is also Nicotiana tabacum leaves and ghoda bach very necessary.

Also, a combination of steps on their own. The III. Conclusion red is believed to be an auspicious and also as a repelling colour for insects. The yellow cloth The dangers to an illustrated manuscript collection can will be dyed with turmeric Curcuma longa be termed as factors of deterioration.