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Abstract: This essay discusses the process of identity construction in two novels of Chico Buarque, the celebrated Brazilian songwriter and popular singer from the s. The first deals with the topic of biography and ghost writing, and the second is a fictional memoir. With the book way ahead, I discovered the meaning of the word eulalia. They are the notions of repetition and fluidity. When embedded in a family, the repetition is somewhat atavistic—Buarque traces it back to his great-great-great grandfather.
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They contain a generalized sociality within. Before giving some more information about the content of the story, we will focus directly in this point, which concerns our argument. The main character, a Brazilian ghost writer, finds himself in Hungary, where a woman Kriska ends up teaching him the language of that country. The following passage describes his fascination with her skin: Kriska suddenly undressed.
I had never seen such a white body in my life. Neither would I dare to move a finger without her consent. Discipline was very important to Kriska. During my first lessons she refused to quench my thirst, because I repeated water, water, water, and water, but always missing the right prosody.
But before memorizing and correctly pronouncing the words of a language, we certainly start by distinguishing them, and by discerning their meaning: table, coffee, telephone, oblivious, yellow, sighing, Bolognese spaghetti, window, shuttlecock, joy, one, two, three, nine, ten, music, wine, cotton dress, tickling, mad, and one day I 52 discovered that Kriska liked to be kissed in the back of her neck.
She then slipped out of her dowdy dress and I was bewildered by such whiteness. The sight unfolds duplicated, instead of being presented once and for all. The passage begins with the narrator referring to the whiteness of the woman.
Then, in a movement of free association, he refers to the abstract concept of discipline. During my first lessons [. During the process, the sensation is intensified. The mechanism at work in the narrative is not an ordinary repetition, but a contracting contemplation. It is not something that could be isolated, but an echo, a double, sustaining the narrative.
The general structure of Budapeste as a whole is constructed in a similar way. The narrator travels at least four times from Brazil to Budapest.
The book seems to open up in some indeterminate time of the second voyage, but on the very next page the narrative slides forward to the time of the third or last voyage Buarque 6.
The narrator then casually gives the reason for his first voyage to Budapest, to where the whole scene imperceptibly slides back. The next chapter opens in the time the narrator spends in Brazil, between the first and the second voyages.
But after a few pages the 9 Brazil has a great ethnic diversity, and mixed-raced people were generally integrated into its society since the colonial times Bethencourt But the country is to the same extent pervaded by an ideology which correlates skin whiteness with the values of the elite. We will have the chance to see below that Leite Derramado is permeated by a restrained violence that connects with the issue of racism. The prejudice should not be attributed to Chico Buarque himself, who has the merit of not glossing over the shortcomings of his characters.
Still in the same chapter the narrative catches up with the time around the first voyage to Budapest, and then with the time around the second voyage to Budapest. The narrative moves more or less linearly from then on, but there are always some turns. For instance, chapter 3 settles on the time of the second voyage, but not on the beginning of the second voyage, and the narrative will have to move back a little in order for us to understand the situation the narrator is in.
The same happens with chapter 5 in relation to the third voyage. The narrator and the characters unfold in this process of sliding back and forth. He travels and learns to speak a difficult foreign language. But here babbling meets aphasia.
The book should read like a memoir but it is more than that: it conveys the improbable process of writing and not writing them. In Leite Derramado, the identity of each character is even less independent of the general discursive flux.
This novel makes more extreme the narrative processes that were already at work in Budapeste. Important things unfold in repetitions, but when they are repeated, they are not only emphasized: their meaning becomes enriched, sometimes contradictorily.
I brought him in shorts with me to the Senate House, and asked someone to take a picture of him standing on the rostrum from which my grandfather used to give so many speeches [. This methodology is based on existing compilations of proverbs, by exploring the regular syntactic structures that most proverbs present and intersecting syntactic structure with the lexical units of the proverbs. From the syntactic regularities we divided the data into 13 different classes.
Finite-state automata is used to represent the regular patterns found in the classes. The results showed a precision rate of Keywords This is a preview of subscription content, log in to check access.
Preview Unable to display preview. Download preview PDF. References 1. Brotons, M.
Bruckschein, M. Bungum, L. Caseli, H.