Designed to take fans of The Hobbit and The Lord of the Rings deeper into the myths and legends of Middle-earthThe Silmarillion is an account. Thanks for the A2A The Silmarillion is Tolkien's first book and his last. Long preceding in its origins The Lord of the Rings, it is the story of the First Age of. Online PDF The Silmarillion, Download PDF The Silmarillion, Full PDF The Silmarillion, All Ebook The PDF and EPUB The Silmarillion, PDF ePub Mobi The Silmarillion, Reading PDF The Silmarillion, Book PDF The Language: English q.
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The Silmarillion - J.R.R. Tolkien (Illustrated eBook) - Ebook download as PDF File .pdf), Text File .txt) or read book online. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher's. The Silmarillion O FOREWORD o AINULINDALE o VALAQUENTA o QUENTA AU — has the value of English ow\r\ towi; thus the first syllable of Aule is like.
Today: Tolkien's Middle-earth stories. It was hard for my kid brain to believe that the fantasy epic was ever an underground thing. Having fallen asleep both in a packed theater during "Fellowship of the Ring" and while my mom read the Tom Bombadil chapters aloud to me before bed, my younger self was convinced that I was the only person in the world who didn't get the whole Middle-earth thing. Of course, Peter Jackson's "Lord of the Rings" movies were among many early '00s big-hitters that helped what was once deemed "nerd culture" completely eclipse everything else in the mainstream. The "Lord of the Rings" and "Hobbit" films came as what you could call the end of a decades-long process: The books percolated through pop-culture, inspiring and influencing close to every depiction of orcs, elves and what-have-you that followed. Bits and threads were scattered and weaved through cent novels, role-playing games and '80s kid-fantasy films.
A lot of violence. It's tragedy after tragedy after tragedy, after betrayal, etc. But there is no gore.
There are no cheap George R. Martin moments here. The Glossary is amazing.
All one needs to do, in order to rembember all the names that appear in the book, is to consult the glossary at the end of the book. There's no verborragia, no filler. He is set on a mission to tell a fable, and he does so with economy of word, but with deep impact. Recommended to those who want to understand better the "lord of the rings" story. Five StarsBy Island girlwas a good read. The decades-long development of "The Silmarillion" had some to do with the commercial viability of the text, but it's also plainly more difficult to read without being introduced to many of its concepts by the far more digestible novels that were published before it.
Let's put it this way: You'll know if you have the stomach for the heavy-duty world-building at work in "The Silmarillion" if you're still hungry for more after finishing up the earlier books on the list. Professor First, Author Second? You might say this is a perfect encapsulation of how potent Tolkien's world-building practice was — after having devoted himself to creating Middle-earth for some time already, his newer ideas for smaller, more focused stories could all be supported and informed by the myths, legends, languages and peoples he had already invested in.
Tolkien was actually building backwards from the world that surrounded him. Middle-earth is supposed to be our Earth a long time ago, and Tolkien started drafting his grand mythopoeic origin story of our world over two decades before "The Hobbit" was published.
The tale of Bilbo Baggins started as a children's story with little-to-no connections back to his established lore, but in finishing the story for publication Tolkien brought the story into the fold of his "dominant construction," Middle-earth. Before making that canonical link and publishing "The Hobbit," Tolkien essentially spent years making what would have amounted to little more than a curious passion pursuit of a humble Oxford professor had his publisher contacts rejected his manuscripts.
The secret sauce to Tolkien's fiction, both in its literary and commercial appeals, is the depth and detail of the world he created. Getting to "The Hobbit" and "The Lord of the Rings" required that huge investment of time and energy on Tolkien's part, but a reader doesn't need to wade through all of that material to get the full impact.
If you've ever been dissuaded from dipping a toe into Tolkien's work because you thought you'd be expected to learn Elvish or know the entire history of the world before popping in on the residents of The Shire, worry not. Tolkien's authorial genius and generosity are on full display in "The Hobbit" and "The Lord of the Rings" — it's the later, posthumously published texts that prove to be a little harder to engage with.
Tolkien to understand the man, you could read "The Father Christmas Letters.
He must have poured hours into the letters, each a combination of carefully crafted storytelling, extraordinary penmanship and colorful illustration. Seriously, take a peek at them — they demonstrate the same creativity and whimsy Tolkien brought to "The Hobbit" and "The Adventures of Tom Bombadil.
Thousands of pages of Tolkien's work have been published posthumously under the care of his family, most notably by his third son, Christopher.
When J. Huge canonical contradictions presented themselves at every turn, largely because of the fact that the whole canon of Middle-earth changed as a result of finishing "The Lord of the Rings": It was inevitable that "The Lord of the Rings" must alter "The Silmarillion," because having once been — as I have said — an enclosed myth, with a beginning and an end — it now has the vast extension.
And in "The Lord of the Rings" there are major figures who come out of the Elder Days, out of the primeval world of "The Silmarillion"; chief among them, Galadriel. So a great deal of writing back would have to be done. But my father being who he was, this writing back would never be a simple thing because he — when Galadriel enters out of "The Lord of the Rings" into the world of the Elves in Valinor new stories begin.
Tolkien " While many fans were excited to receive a finished version of "The Silmarillion" in , they did not spare it from criticism.
Setting the differences in style from "The Hobbit" and "The Lord of the Rings" aside, readers accused Christopher Tolkien of having invented too much of the book from whole cloth — a subject that's grown increasingly complex after more and more of J. The effect of Christopher's editorial decisions are a thorny issue on the basis of constructing a sensible canon alone, but they're also demonstrative of issues that plague any fandom of significant size.
With "The Silmarillion," Christopher faced the formidable task of presenting a version of his own father's unfinished work that both respected the source material and felt complete. If he had tried to release something like the volume "History of Middle-earth" in the seventies, he would've been skewered every which way by fans of his father's work and by a literary community that at the time was far less interested in legitimizing serious study of Tolkien's work.
But their power lay in their bliss and their acceptance of mortality. Sauron urged them to wage war against the Valar themselves to win immortality, and to worship his master Melkor, whom he said could grant them their wish. This section also gives a brief overview of the events leading up to and taking place in The Lord of the Rings, including the waning of Gondor, the re-emergence of Sauron, the White Council , Saruman 's treachery, and Sauron's final destruction along with the One Ring, after which the ages of magic end.
Concept and creation[ edit ] Development of the text[ edit ] Tolkien first began working on the stories that would become The Silmarillion in ,  intending them to become an English mythology that would explain the origins of English history and culture.
Reynolds, a friend to whom Tolkien had sent several of the stories. By this time, he had doubts about fundamental aspects of the work that went back to the earliest versions of the stories, and it seems that he felt the need to resolve these problems before he could produce the "final" version of The Silmarillion.
Christopher's intentions seem to have been mostly to use the latest writings of his father's that he could,[ citation needed ] and to keep as much internal consistency and consistency with The Lord of the Rings as possible,  though he admitted that a complete consistency was impossible.
In one later chapter of Quenta Silmarillion, "Of the Ruin of Doriath", which had not been touched since the early s, he had to construct a narrative practically from scratch.
Because of Christopher's extensive explanations in The History of Middle-earth of how he compiled the published work, much of The Silmarillion has been debated by readers. Christopher's task is generally accepted as very difficult given the state of his father's texts at the time of his death: some critical texts were no longer in the Tolkien family's possession, and Christopher's task compelled him to rush through much of the material.
Christopher reveals in later volumes of The History of Middle-earth many divergent ideas which do not agree with the published version. Christopher Tolkien has suggested that, had he taken more time and had access to all the texts, he might have produced a substantially different work. But he was compelled by considerable pressure and demand from his father's readers and publishers to produce something publishable as quickly as possible[ citation needed ].
In October , Christopher Tolkien commissioned illustrator Ted Nasmith to create full-page full-colour artwork for the first illustrated edition of The Silmarillion. It was published in , and followed in by a second edition featuring corrections and additional artwork by Nasmith. During the s and s, Christopher Tolkien published most of his father's Middle-earth writings as the volume The History of Middle-earth series. In addition to the source material and earlier drafts of several portions of The Lord of the Rings, these books greatly expand on the original material published in The Silmarillion, and in many cases diverge from it.
There is much that Tolkien intended to revise but only sketched out in notes, and some new texts surfaced after the publication of The Silmarillion. These books also make it clear just how unfinished the later parts of The Silmarillion really were: some parts were never rewritten after the early versions in Lost Tales. Main article: J. Tolkien's influences The Silmarillion is a complex work exhibiting the influence of many sources. A major influence was the Finnish epic Kalevala , especially the tale of Kullervo.
Influence from Greek mythology is also apparent.