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I cannot take everyone to the Uffizi, but on this blog I have posted a few helpful do it yourself guides to the museum. There are free downloadable podcast guides you can listen to while you visit, you can print out a list of important works, or you can read some of this online. Printable map and guide to the Uffizi On this blot there is a map and guide to important works in the Uffizi. This list works like a short do-it-yourself guide. I have also written a longer, newer and I think more useful version that is for sale as an ebook on site Kindle: see Uffizi Art History Guide. This guidebook lists the main works you should see and helps you learn how to understand what is happening in them.
The two statues currently belong to two researchers until , when it was found in a private collection and separate owners. In the s, Pizzorusso attributed the Harpy to presented by the present writer in an article, where it was assigned Tribolo, and the work was displayed in two Florentine exhibitions its current name and dated to first half of the 16th century. This is the The statue is first mentioned in I would be inclined to say that this statue crafted by lost when the works passed into the hands of others, making their Michelangelo, while made of sandstone, better brings out the way from one collector to the next.
Thus the Harpy was attributed softness of the flesh [ Yet, while the In the Lanfranchi Arrotino, where different anatomical volumes are combined the left arm resting on the knee, for instance , the touching surfaces mutually adhere as if permeating one another.
This is not the case with the original work, where the whole figure is kept in the round, in line with the all-embracing descriptive realism of the Classical tradition. Finally, the cloak wrapped around the right side of the figure only literary source concerning the Harpy does not suggest who may have crafted it, on the other hand it assigns the Arrotino to Michelangelo. It is likely that the Arrotino lost much of its market appeal because it was the copy of a famous Classical sculpture, unlike the Harpy, with its iconographic originality.
Still, the Lanfranchi Arrotino is not an exact copy, but rather the interpretation of a model, reflecting the artistic study of ancient works: After , faithful copies were made — and subsequently photostats — and the statue was put on display in the Uffizi A. Before then, when the work was still in Rome, different interpretations, versions, studies and sketches of it are known to have been made: Moreover, as the only element the imitator had at his disposal to establish a break between the naked flesh and the cloth, the cloak was covered with dense, parallel stripes archeologist P.
AD after the Hellenistic sensitivity.
This opinion is shared by Salvatore Settis, who — while original. Florence, Uffizi. The Lanfranchi Arrotino would thus be one fascinating interplay between archeology and Renaissance of the first surviving modern copies of a Classical marble statue studies.
Flavia Zisa Bibliography Zisa F. Moreno P. Syracuse , pp. Ancient works on display Related Papers. Michelangelo e il caso dell'Arrotino Lanfranchi. By Flavia Zisa. Apollo and Marsyas on engraved gems and medals.
By Hadrien J Rambach. Designed by Brunelleschi, and decorated by Donatello, it also holds the tombs of the Medici family, some of which were designed by Michelangelo.
The Medici Chapels require a separate ticket for entrance, but the tombs are definitely worth the extra charge. There are poppies on the crest because their wealth was based on a deal that they achieved partially by drugging some of their rivals with opium-laced wine.
Lunch Break! The ever-bustling San Lorenzo Market. Photo by Tiana Kai. Instead, head to the San Lorenzo Market for a quick and delicious lunch in a veritable Florentine institution. The San Lorenzo Market is actually comprised of two markets: an outdoor market selling souvenirs, clothing and leather products one of our favorite areas for shopping in Florence , and the indoor market known as the Mercato Centrale filled with butchers, fishmongers and fruit and vegetable vendors.
Lesser-known but equally impressive in their own way are unfinished statues by Michelangelo that give you a fascinating peek inside the mind of a tortured genius. There are numerous other halls featuring paintings by Botticelli, Ghirlandaio, Orcagna, and more. Palazzo Vecchio This titanic palace was the seat of power for the Medici family when they were the main engine of the Italian Renaissance, commissioning art and architecture that literally changed the course of European history.
Pitti Palace The Pitti Palace is not quite as famous among foreigners as the Palazzo Vecchio because of its location tucked away in Oltrarno, but it is probably the more impressive of the two on the inside.
However, the fashion museum and silver museum are also fantastic Florence attractions in their own right. If you are with a larger group this is a great half-day stop because it has something for everyone.
The Boboli Gardens , which are attached to the palace, are among the finest gardens in Europe. Any gardeners or outdoor lovers should make a point of seeing them. If you want to spend a full afternoon at the Pitti Palace, try seeing one of the indoor museums then going to the gardens. Dusk is an important time in the life of an Italian city, especially during warmer months.
If you have a bit more energy, head to the Oltrarno. After passing over the beautiful and historic Ponte Vecchio get ready for a minute hike up the hill to Piazzale Michelangelo, where the wonderfully-scenic Basilica di San Miniato sits. Be sure to get there before it closes so you can peek inside. Then watch the sunset from the best view of Florence in the whole city.
You should be able to sit down for dinner around pm and make a pm train without issue. If you are staying the night — even better. Restaurants keep late hours, so take your time. We usually avoid the restaurants near the cathedral in favor of some of the lesser known spots around Santo Spirito in Oltrarno.