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The amplitude and the great importance of the translation activity required a generalization and systematization of the huge experience gained by translators by now and the normalization of the practice of translation Fjodorov , The science that had the mission to do this and became a distinctive branch of Linguistics is Translation Studies.

Our Study In the 20th century, century in which international relations, economic and cultural exchanges amplified remarkably, also named the century of translations, the need to systematize theoretical acquisitions in the field became visible and along with it the methodological principles and procedures that had been used throughout the centuries in the process of translation.

This is the context in which the first literary translation from Serbian into Romanian and from Romanian into Serbian appeared. For instance, at the middle of the 19th century, the first Romanian translations from the Serbian folklore appeared. It seems translators carefully choose the works that were really representative for the Serbian modern literature.

The translation of the short-story Werther is also of a good quality.

Although it appeared in a volume of popular works, its author placed it on the same level as many Western authors. Batzaria, the author of the preface stated, gives the impression of a Western writer. Translations that Pisarov did are of a good quality. Moreover, his whole activity made a significant contribution to the popularization of Serbian literature in the inter-war period.

This process was facilitated by the general cultural climate of that time in Europe, ripe with translations. Works in prose, especially novels were translated; works of other genres, such as short- story, drama and poetry, were not yet in a substantial amount. Translated by N. Constantinescu , 60 p. Translated by V. Translated by C. Translated by B. Srisori din St. Georgescu-Delafras, Legende albastre. Doamna ministru. As far as poetry is concerned, fewer works were translated.

The only Serbian poet that has an entire book of poems translated into Romanian is Vasko Popa. As he was both well versed in the Serbian language and an expert in using the expressivity of the Romanian language, the translator made every effort to keep the translation faithful to the original, including versification features and other elements of expressivity found in the original.

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Hence, he succeeded in keeping the rhythm and the melodicism, as well as the style of the original. To overcome the difficulty of maintaining prosody, the author uses lexical prosthesis, usually monosyllabic words. Monosyllabic words are also used in order to preserve the rhyme.

Cronica din Travnic. Povestea cu elefantul vezirului. There are two main ways of translating poetry: to create in the target language a work that challenges the original or, even more, exceeds it, or to faithfully stick to the message and the semantics of the original and to make a work that not always preserves the artistic geniality of its author.

The middle path between these methods seems to be the best variant. The incontestable difficulty of translating poetry did not prevent Romanian translators from translating representative poems by Serbian poets, even when the authors were considered to be untranslatable. Although we cannot talk about absolute equivalences in this field, the process of translating poetry persisted. Generally, the translators look forward to being faithful to the spirit of the original and not its letter, although they are quite keen on preserving some expressive details rendering them by different expressive means of the target language.

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However, the translation should accurately render the subjectivity of the author, which means that in a translation, the voices of the both the original author and translator should be heard. The echo of the literature of the nations from former Yugoslavia in the second half of the 20th century proves the growing interest in Serbian literature.

Hence, there have been approximately three thousand books translated in more than forty countries, of the five continents, during a period of half a century. The roots of translations of Yugoslavian literature into Romanian lay in the activity that the members of the Department of Slavic Languages from the University of Bucharest had started in One of the particularities of these efforts was the fact that the translations were done by two translators, one of them being a writer in the target language Nedelcu , The risk that exists in such cases is that translations of works belonging to different authors that obviously have different styles or even belong to different genres may have the same style in the target language as they are adjusted by the same person.

The graduates of the program mentioned above and some Romanian students from Yugoslavia, who graduated from the University of Bucharest, formed a new generation of translators.

On that account, a wave of intercultural change starts to appear and more than a hundred volumes of literary works representative for Yugoslavian literature are translated into Romanian. After the Revolution a new picture began to shape up in the field of translations. The disappearance of censorship and privatization facilitated an explosion of the editorial activity. There are mainly translated works by dissident writers, by exiled writers, or religious literature.

Furthermore, the financial criteria take over now, even if it does not always fit the quality criterion, as the selection is made based on economic competition. Translations are most of the time accompanied by prefaces, afterwords, biographical notes, texts that are valuable bibliographical sources.

Most often, they describe the content and the style of the work itself with no reference to the particularities or the quality of the translation.

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Hence, they are descriptive, the normative intention being implicit. No research or translation study regarding the translations from Serbian into Romanian has been published until now. Contrary to Western Europe, where national cultural hegemony in France and Romantic faithfulness to the original in Germany have been imposed as principles of translation, in Romania translations present some other dimensions also, such as the political or ethic principle and the linguistic or aesthetic principle.

However, the measure to which they are followed varies from a translator to another13 and is determined by the relevant temporal gap that exists between choices made by Western European and Romanian translators.

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Translations that have been made from Serbian into Romanian observe the fundamental concepts of translation. These are the functional equivalence i.

Oscillating between translating the meaning and translating the letter, Romanian translators of Serbian literature consider the faithfulness to be a significant feature of a translation.