See details about Origami Design Secrets - 2nd edition by Robert J. Lang on Gilad's Origami Page. Check out the collection of origami book reviews and. The magnum opus of one of the world's leading origami artists, the second edition of Origami Design Secrets DownloadPDF MB. The magnum opus of one of the world's leading origami artists, the second edition of Origami Design Secrets reveals the underlying concepts of origami and .
|Language:||English, Spanish, Indonesian|
|ePub File Size:||22.70 MB|
|PDF File Size:||14.82 MB|
|Distribution:||Free* [*Sign up for free]|
Origami Design Secrets Mathematical Models for an Ancient musicmarkup.info - Ebook download as PDF File .pdf) or read book online. garden design origami. () This new edition of Origami Design Secrets adds several diagrams for new models, 10 crease patterns on advanced box-pleating techniques, hex pleating, and polygon packing methods of origami design. ODS1e_Algorithms. pdf. Lang R.J.-Origami Design Secrets, 2nd ed Book Number -7 (eBook - PDF) This book contains information obtained from authentic and.
Great value for money. The models alone would make it worth it, but the bulk of the Lire la suite book, teaching you how to design your own models, is great too. Incredible book, a must-have for anyone who wants to learn to design origami. Lire la suite onnant. For people who want to understand principles of origa
Tiling Folding Instructions Pegasus 9. It is both my earliest book and my latest book; I began writ- ing up my ideas on how to design when I began what became my first published book in the early s, but not until recently have I developed the framework for those ideas. Over the years, I have been influ- enced by many scientists and artists, both inside and outside of origami, all of whom contributed, one way or another, to the present tome.
It is impossible for me to identify everyone who has contributed to my work, but some of the larger pieces come from the following, who I thank: Neal Elias, for his encouragement and for introducing me to the magic of box pleating and the realization that anything was possible in origami.
Lillian Oppenheimer and Alice Gray, for introducing me to the wide, wild world of origami fanatics. Akira Yoshizawa, who started it all, then showed that there was more to origami art than just clever designs. Dave Brill, who showed that you could have both clever design and high art in the same model.
John Montroll, who took origami design to an unequaled level and who has been a constant source of inspiration and friendship. Michael LaFosse, who took origami art to an unequaled level and Richard Alexander; both have been equally great friends.
Toshiyuki Meguro, Jun Maekawa, and Fumiaki Kawahata, who developed circle and tree methods in Japan and who all provided crucial insights to my own work along the way. Marshall Bern, who encouraged me to write my first ori- gami computer science technical paper.
Barry Hayes, who, with Marshall, proved mathematically that origami is really, really hard lest there be any doubt. Erik and Martin Demaine, who have been friends and collaborators in computational origami; in particular, the mathematical theory that led to Chapters 12—14 is as much theirs as mine.
Thomas Hull, who, as the focal point of origami math, has done more to bring origamists and mathematicians together than anyone else. Koshiro Hatori, who provided translations of several of the references. Dave Mitchell, for his One-Crease Elephant. Emmanuel Mooser, for his Train. Raymond W. McLain and Raymond K. A particu- lar thank you goes to Toshi Aoyagi who for many years acted as matchmaker and translator between me and many of my Japanese colleagues and to Koshiro Hatori, Koichi Tateishi, Marcio Noguchi, and Anne LaVin, who have all helped with translation and advice.
I am particularly indebted to Peter Engel, Marc Kirschen- baum, and Diane Lang for proofreading the text and the diagrams and making numerous suggestions for corrections and improvements and Diane did so twice, for both editions.
Needless to say, any errors that remain are entirely my own. I would like to thank my editors, Heather Holcombe first edition and Charlotte Henderson second edition , for helpful suggestions, corrections, and especially patience.
Last, but most important, I must thank my wife, Diane, for her constant support and encouragement. They were made of folded paper, each different, and each one an example of origami, the Japanese art of paper folding. An art exhibition de- voted entirely to origami is rare; one devoted to elephants is extremely unusual; and one devoted entirely to origami elephants was entirely unprecedented.
A display of 88 paper elephants illustrates both the remarkable attraction origami has for some people—after all, how many people would take the time to fold 88 versions of the same thing?
Tens of thousands of paper designs exist for animals, plants, and objects, a regular abecedarium of subject matter. There are antelopes, birds, cars, dogs, elephants of course , flowers and gorillas; horses, ibexes, jays, and kangaroos; lions, monkeys, nautiluses, octopi, parrots, quetzalcoatls, roses, sharks, trains, ukuleles, violinists, whelks, xylophones, yaks, and zebras, the last complete with stripes.
Innumerable innovations have been wrought upon the basic theme of folded paper. There are action figures: birds that flap their wings, violinists who bow their violins, in- flatable boxes, clapping monkeys, snapping jaws. A herd of origami elephants. If you can think of an object either natural or man- made, someone, somewhere, has probably folded an origami version.
The art of origami was originally Japanese, but the 88 elephants and the tens of thousands of other designs come from all over the world. Many figures originated in Japan, of course, but the U.
Most of these thousands of designs have one thing in common, however: Nearly all were invented in the last 50 years. Thus, origami is both an old art and a young art. Euthysanius Beetle. Spur-Legged Dung Beetle. Robert J.
He is noted for designs of great detail and realism, and his repertoire includes some of the most complex origami designs ever created. His work combines aspects of the Western school of mathematical origami design with the Eastern emphasis upon line and form to yield models that are at once distinctive, elegant, and challenging to fold.
In Dr. He lectures widely on origami and its connections to mathematics, science, and technology and teaches workshops on both artistic techniques and applications of folding in industrial design. Lang is one of the pioneers of the cross-disciplinary marriage of origami with mathematics; he has been one of the few Western columnists for Origami Tanteidan Magazine, the journal of the Japan Origami Academic Society, and has presented several refereed technical papers on origami-math at mathematical and computer science professional meetings.
He has consulted on applications of origami to engineering problems ranging from air-bag design to expandable space telescopes. He is the author or co-author of twelve books and numerous articles on origami art and design.
Lang was born in Ohio and raised in Atlanta, Georgia. In , he received the highest honor of Caltech, the Distinguished Alumni Award. Lang resides in Alamo, California. I am in complete agreement with the questions and thoughts expressed in his book.
Robert Lang made some substantial changes — much to the joy of many origami enthusiasts. The first edition impressed with pages full of high-quality content going into techniques, mathematics, and folding instructions. This book is without doubt the best guide to creating origami that has ever been published and I suspect it will retain the crown forever.
Praise for the First Edition: When Robert J.
Lang, a laser physicist, talks with passion about origami — the Japanese art of paper folding — the line between play and discovery also completely dissolves. Lang is what might be called an origamist see www.
He wrote the book Origami Design Secrets: Mathematical Methods for an Ancient Art and has created tarantulas, delicate herons, spined shells and big-horned elk out of single, uncut, folded sheets of paper. This book is a synthesis of origami technique, history, and instructions, with very thoughtful and clear explanations for almost every aspect of the art of folding and designing origami.
Lang chose to strike a balance between a book that describes origami design algorithmically and one that appeals to the origami community …. Hull, The Mathematical Intelligencer , March This magisterial work, splendidly produced, covers all aspects of the art and science. For most origami enthusiasts, the ancient Japanese art of folding and making creases is a mere hobby, and a grand pursuit for those giddily obsessed with the mathematics or aesthetics of how mere paper can be contorted into objects of beauty and interest.
For Robert J. It feels like Lang has taken you on as an apprentice as he teaches you his techniques, stepping you through examples of real origami designs and their development. There is something for everyone here, whether beginner or expert, left-brained or right, specialist or dilettante.
We provide complimentary e-inspection copies of primary textbooks to instructors considering our books for course adoption.
CPD consists of any educational activity which helps to maintain and develop knowledge, problem-solving, and technical skills with the aim to provide better health care through higher standards. It could be through conference attendance, group discussion or directed reading to name just a few examples.
We provide a free online form to document your learning and a certificate for your records. Already read this title? Stay on CRCPress. Exclusive web offer for individuals on print book only.
Preview this Book. Origami Design Secrets: Select Format: Add to Wish List. Close Preview. Toggle navigation Additional Book Information.